The German Expression movement began before WWI and gained
momentum in the 20’s and 30’s. It influenced architecture, painting and cinema.
This movement gave surrealistic shape and structure to forms that reflect
psychological states. This is evident in the extreme contrast of light and
dark, the use of reflective surfaces and abstract optical tricks and even
anthropomorphism.
Vol. 4 – BatmanReturns (1992) – This is director Tim Burton’s second installment in the
film series based on the popular DC Comic Superhero. Michael Keaton returns at
the titular hero. But this time, he faces the joint forces of a sinister
businessman Max Schreck (Christopher Walken), The Penguin (Danny DeVito) and
Catwoman (Michelle Pheiffer). This film is a visual spectacle and was
recognized with two Oscar nominations, one for visual effects and one for
makeup.
"Batman Returns" exemplifies German Expressionism probably
more so than any other film made in the past several decades. Tim Burton (for
all of his shortcomings) is one of the most expressionistic filmmakers in
modern history and probably of all time. His films are highly influenced by the
German cinema of the 20’s and 30’s, so much so that he even named one of the
characters in this film (Max Schreck) after the actor that portrayed F.W.
Murnau’s “Nosferatu”
The sets created for Gotham have a personality all to their
own. The menacing architecture of the city looms ominously over its subjects
creating a dark and oppressive environment very similar to the world of Fritz
Lang’s “Metropolis”. Selina Kyle’s apartment and the Penguin’s Lair also have
their own defining characteristics meant to reflect the personalities of the
characters. Kyle’s apartment is small and closed in, covered in pink with a
giant ugly I-beam protruding from the ceiling, constantly reminding her of how
feeble her attempts are at brightening up her dreary existence. The Penguin’s
Lair is an elaborate frozen cave where he resides with his minions of giant penguins
that do his biddings. He sits on a large throne complete with a kneeling pillow
at his feet. It’s as if his delusions of grandeur have guided his decor in an
attempt to allow him to forget his own grotesqueness and the fact that his
kingdom is actually frozen, fishy, underground cave.
The anthropomorphism traits of the characters themselves
cannot be overlooked either. The costumes and makeup of both The Penguin and
Catwoman give them an abundance of animalistic traits that color their alternate
personalities. This is especially evident in The Penguin. His elongated,
beak-like nose and tuxedo body suit made Danny DeVito look even more like a
short, fat, awkward, flightless bird than he does in real life. This exaggeration
is a huge departure from previous depictions of this character. Burgess
Meredith’s Penguin from the old television series had nothing more than a
purple top hat and cigarette holder. And most of the depictions of him in the
comics aren’t nearly as drastic as they are in this film.
The duality of man is a common theme in German Expressionism
as well as comic books. This is prevalent in the hero as well as both villains of
“Batman Returns”. Both Batman and Penguin are alter egos created by the separation
from their parents. In our hero’s case, this is caused by murder and led to his
incessant vigilantism. The Penguin was abandoned by his parents. His separation
anxiety has manifested itself in a vengeful way creating the persona of a super
villain trying to make the world pay for the crimes of his father. Catwoman’s
personality is the polar opposite of that of Selina Kyle. Kyle is a quiet and
shy homely woman that takes a lot of abuse from her employer, Schreck. When she
dawns the Catwoman suit, she exudes sexual power and won’t take ‘no’ for an
answer.
I imagine most of you have seen this film at least once. I don’t
think it’s the greatest but it does give us a great example of Expressionistic
cinema in the modern era. It deserves a second look. Watch it for no other
reason than to take in the details of a film made with a lot of love for the
art that came before it.
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